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Cage the Elephant Get a ‘Little Closer’ to Ellen

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Cage the Elephant’s latest album Melophobia has earned both critical and commercial accolades since its October 2013 release, and the single “Come a Little Closer” is definitely a radio staple.

That must be why Ellen DeGeneres was so excited when she recently hosted them on her daytime talk show.  Watch it all unfold after the jump.

(more…)

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Roddy Hart and the Lonesome Fire Rock Craig Ferguson

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Roddy Hart Craig Ferguson

Roddy Hart was recently booked for a week-long residence on The Late Late Show with Craig Ferguson with his band the Lonesome Fire, and the Scottish singer/songwriter definitely brought the heat.

One of the highlights of the residency was the single “Bright Light Fever,” which comes off Roddy Hart and the Lonesome Fire’s self-titled 2013 album.  That performance prompted Ferguson to exclaim, “There’s your Glasgow rock and roll right there!”

Watch Hart and his Gretsch Black Falcon in action below.

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Switchfoot Perform Two Fading West Tracks on Kimmel

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Just as they hit the road in support of their 2013 album Fading West, Switchfoot stopped by the set of Jimmy Kimmel Live to play two of their newer songs.

Performing in front of a crowd that was ready to rock, Switchfoot sounded tight as ever when they pulled out “Say It Like You Mean It” and “When We Come Alive.”

Watch both performances after the jump and visit Switchfoot’s official Facebook page for a list of tour dates. (more…)

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Arctic Monkeys Perform at BRIT Awards

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Arctic Monkeys opened the 2014 BRIT Awards in London on Wednesday night with an incendiary performance of “R U Mine?”. The band also took home top honors at the show, winning both Best British Group and British Album of the Year with 2013′s AM.

“That rock and roll, eh?” said frontman Alex Turner in his acceptance speech for the latter. “That rock and roll, it just won’t go away. It might hibernate from time to time and sink back into the swamp. I think the cyclical nature of the universe in which it exists demands it adheres to some of its rules. But it’s always waiting there just around the corner, ready to make its way back through the sludge and smash through the glass ceiling, looking better than ever. Yeah, that rock and roll, it seems like it’s fading away sometimes, but it will never die. And there’s nothing you can do about it. Thank you very much for this. I do truly appreciate it. Don’t take that the wrong way, and invoice me for the microphone if you need to.”

The win for Brit Album of the Year marked the third time the band has won the award.

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50 Years Ago: The Beatles—and Gretsch—on The Ed Sullivan Show

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The Beatles appeared on The Ed Sullivan Show three times in February 1964. George Harrison (center) is seen here with the Gretsch Country Gentleman model he played during the historic television performances. Photo courtesy Getty Images.

Has it really been 50 years?

Seemingly incredibly, it has. And you could make a compelling case that the 1960s actually started on the evening of Feb. 9, 1964. That’s when the Beatles made their historic U.S. television debut on The Ed Sullivan Show, drawing the largest viewing audience in the history of the medium at the time (73 million people—nearly half the nation—tuned in to the telecast).

President John F. Kennedy had been assassinated only 10 weeks earlier, and the still-stunned country was in a grim and uncertain mood. Who would’ve expected that a much-needed lift in spirits was imminent, winging its way across the pond on Pan Am flight 101 from London?

Two days before that first Ed Sullivan Show appearance, on the afternoon of Friday, Feb. 7, 3,000 screaming teenagers who were supposed to be at school that day mobbed Kennedy International Airport in New York. They were there to greet the Beatles on their first U.S. visit, a whirlwind two weeks that saw the group make two live appearances on Sullivan’s show; one in New York and one in Miami (the Beatles also taped a third appearance to be aired later that month). The group was topping the U.S. charts, general pandemonium surrounded them wherever they went, and the Beatlemania that had already swept across the U.K. now morphed into a potent new U.S. strain.

For their debut appearance on his show, Sullivan cannily had the Beatles perform twice—three songs at the beginning (“All My Loving,” “Till There Was You,” “She Loves You”) and two at the end (“I Saw Her Standing There,” “I Want to Hold Your Hand”), presumably to ensure that his audience watched the entire hour-long show. The cameras seemed to spend as much time on the surging throng of screaming teenagers in the audience of CBS TV Studio 50, where the show took place, as they did on the group.

Nobody had ever seen (or heard) anything like it. By the time the broadcast ended an hour later, something fundamental had changed not just there in New York, but across the nation. The rest is well-documented history, but you very well might be able to say that with that one raucous event, the 1960s started in earnest between 8 and 9 p.m. on Feb. 9, 1964. (more…)

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