Posted: January 23, 2015
Watch this video for a quick tour around the Gretsch booth at the 2015 NAMM Show in Anaheim, Calif.
Posted: January 14, 2015
The craftsmen in the Gretsch Custom Shop have taken yet another step towards making the most historically accurate Gretsch guitars they can.
Gretsch Master Builder Stephen Stern and his team searched far and wide for an original tailpiece that could serve as a template for the new models.
“I’ve been changing some of our parts to be more vintage correct to elevate our guitars to a higher level,” Stern said. “I’ve been wanting to work on the tailpiece for a long time. The hardest part was finding an original; that took a lot of time.”
Stern thought he had someone willing to let him borrow an original tailpiece in early 2014, but that fell through once the Gretsch enthusiast got nervous about lending the rare part out.
Luckily, Stern heard from Naoaki Toyofuku of Thrill on the String, a dealer in Japan with an incredible collection of vintage Gretsch guitars.
“He was kind enough to send me a couple tailpieces almost a year ago,” Stern explained. “I had to get them drawn up by our research and development department, and then we got a 3D print of the parts. Then, it was off to the manufacturer.”
What came out of the process is a non-symmetrical long and short version of the tailpiece that will go on the White Falcons and White Penguins, in addition to a symmetrical long and short version for Falcons and Penguins that are in custom colors. All are vintage correct.
“But if a customer wants to order a White Penguin with a symmetrical tailpiece, for example, we can do it,” Stern was quick to add.
Last year, Stern finished work on new vintage-correct knobs for White Falcons and Penguins, and the prodigious luthier said he is not yet finished in his quest for authenticity.
“The knobs were a pretty big project, and I have something that I’m working on for next year, but we’ll keep that under wraps for the time being,” he said. “We’ve gotta save some surprises!”
Posted: January 12, 2015
Chicago Music Exchange recently put a Gretsch G6112TCB-JR Center-Block through the paces.
The two-tone Jaguar Tan and Copper Metallic beauty elicits great tone as the reviewer performs the Kinks’ “Set Me Free” and Nico’s “These Days.”
Watch the full demo below.
Posted: December 22, 2014
NEW (GRETSCH)RED RAISES MONEY TO FIGHT AIDS(RED)™
Gretsch and Bono have joined forces once again for a new signature guitar model, the (GRETSCH)RED. Bearing the special (RED) logo adorned on the pickguard and truss rod cover, every guitar sold will raise money for the Global Fund to AIDS, tuberculosis and malaria.
The double-cutaway (GRETSCH)RED G5623 Electromatic® Center-Block Bono “Signature” Model puts Bono’s personalized stamp on Gretsch’s new thinline spruce center-block design, which delivers “high gain-friendly” tone and greater control over the kind of feedback players want.
Other premium features include a bound arched maple top with bound sound holes, maple sides and arched back (also bound), maple neck, 22-fret bound rosewood fingerboard with Neo-Classic™ “thumbnail” inlays, dual “Black Top” Filter’Tron™ pickups with three-position toggle switching, and master volume and tone controls, anchored Adjusto-Matic™ bridge with “G”-cutout tailpiece, Grover® deluxe tuners, chrome hardware and deluxe case.
“The (GRETSCH)RED guitar is a guitarist’s dream,” said Bono, co-founder of (RED). “And the reality is that every time someone buys one, it’s raising money to fight AIDS. That money can buy life-saving medicine for pregnant mothers living with HIV, and prevent their babies being born with the virus. They’re the same pills that will help deliver an AIDS Free Generation.”
Since it was founded by Bono and Bobby Shriver in 2006, (RED) has generated more than $275 million for the Global Fund to fight AIDS, tuberculosis and malaria, to support HIV/AIDS grants in Ghana, Kenya, Lesotho, Rwanda, South Africa, Swaziland, Tanzania and Zambia. Global Fund grants that (RED) supports have impacted more than 55 million people with prevention, treatment, counseling, HIV testing and care services.
Five percent of the wholesale price from each guitar sold will go to the Global Fund. For more information on (RED), go to www.red.org.
And for more product details, head here.
Posted: December 9, 2014
The Gretsch Center-Blocks continue to get love from the various music mags, including a great review recently from Premier Guitar.
“The 24.6″-scale 5620 is a shining example of how Gretsch’s Electromatic line has evolved over the last few years,” wrote reviewer Shawn Hammond. “What once seemed a dipping of the toes into entry-level waters has, in many ways, become a deep dive revealing impressive quality and beauty. Our review guitar came in a rich “rosa red” gloss-urethane finish through which you can subtly detect grains of the underlying maple spreading across the sumptuous arches and curves. The rosewood-topped maple neck features a 12.5″-radius fretboard inlaid with 22 remarkably clean, neatly dressed medium-jumbo frets. And peaking inside the cat’s-eye soundholes reveals straight, cleanly cut kerfing and no stray glue.”
In summary, PG had this to say:
“Gretsch’s beautiful G5620T-CB has so much going for it. For the price, it packs a serious punch in almost every category, from visual vibe to practical appointments, control flexibility, and ergonomics.”
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