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Jamestown Revival Spreads Their Movement at Stagecoach

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“Jamestown Revival is more than music.  It’s an idea, and it’s a movement.  It’s grass roots, and it’s back porch.  Our strength is in numbers, but our individuality is ever present.  We appreciate the simpler things, and we know where we came from.  We value timelessness over trendiness, and quality over quantity.  We are Revivalists…”

So reads the band’s description on their YouTube page, and during a nearly hour-long midday set at Stagecoach’s Palomino Stage on Saturday, Jamestown Revival proved that their blend of southern country, Americana and rock is stirring a movement.

“Wow.” “Killing it.”  “Unreal.”

Those were just a few examples of the praise that quickly found its way to the twitter universe, along with some live streams on Periscope.

Zach Chance and Jonathan Clay became friends at age 14 in their hometown of Magnolia, Texas.  By 15, they had written their first song together, but it wasn’t until years later when the then-college roommates got serious about making music as a duo.  But eventually, while spending time on Texas ranch land owned by Clay’s family, the pair sat out on an old back porch with guitar and keyboard and started to write music.

“We wrote them with a different mindset, with a duo mindset, and they were built around harmony and they just had a different vibe. That was really the start of Jamestown. It started that day,” Clay said in an interview with windupmagazine.com.

The childhood friends borrowed their band name from the Jamestown settlement in Virginia, with the idea in mind to leave behind the old and head out on an adventure. (They also note Credence Clearwater Revival as a huge influence.) So they took their dream and headed west to Los Angeles, where they found inspiration for the songs that appear on debut album Utah.

Its track “California (Cast Iron Soul)” earned an immediate and hearty reaction from the audience, which led quickly to a clap, sing and stomp-along from the Stagecoach crowd.

California, I don’t even know you.
You’ve taken me away from home.
Old Magnolia I’ll never get over you.
The feelings running straight to my bones.
Someday I’ll be coming home.
Someday I’ll be coming home.
With a cast iron soul.

The boys did return home, or close to it, anyhow.  After recording Utah, (named after the cabin in Utah’s Wasatch mountains where they made the album), JR would eventually opt to move to Austin, about 200 miles away from Magnolia.

JR also paid tribute to home during their Stagecoach set with a “song they wrote about the good ol’ boys” called  “Head On” that saw them working the stage and at times, sharing a mic to blend their voices, which only added to the communal sense of the performance.

Another set highlight included a shout-out to Merle Haggard as JR gave a poignant cover of “Silver Wings.”

It was an overall emotive and awe-inspiring performance, and we’re betting that the “movement” grew exponentially after Saturday’s solid showing.

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The Malpass Brothers Wave the Banner for Pure, Traditional Country Music

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Traditional, pure country was revitalized opening day at Stagecoach thanks to the Malpass Brother’s outstanding performances of legendary covers and original songs dedicated to their heroes.

These good ‘ol boys brought their Southern roots and love for all things retro to the Palomino stage in Indio, Calif., during a midday set on Friday.

Lead singer Christopher Malpass introduced the band to the audience by sharing two questions they get asked the most:

“Do you really talk like that and is that your real hair?”

So of course, Christopher drawled the answer to both, explaining that “We’re from North Carolina. And yes, this is really our hair. Yes, this is how we really talk.”

Christopher and Taylor Malpass are as authentic as it gets, and stay true to the deep love they have for the traditional country music first introduced to them on their granddaddy’s phonograph records. From their ’50s throwback pompadour hairstyles and mutton chops to their western outfits and infamous Elvis-like hip swivels, these siblings proudly wave the banner for traditional country music, and they are adamant about preserving the art.

“My brother Taylor and I do the type of music we do because this music speaks to us, and speaks to the souls of its listeners,” said Christopher. “For us, traditional country music is the ‘real deal’ – every song portrays life’s joys, heartaches, problems and happiness. It comes from the heart, and has depth and truth. Nothing is sugar coated. Our goal, really, is to see this music be revived, to help ensure it doesn’t fade away.”

During their mid-afternoon set, the brothers preached that gospel by performing several covers to honor a few of their country pioneers.

Christopher perfectly captured his music idol Johnny Cash with flawless renditions of “Folsom Prison Blues” and his personal favorite “Luther Played the Boogie.” When taking over singing duties for a cover of the Faron Young/Willie Nelson track “Hello Walls,” Taylor’s bellowing vocals also nailed the command and presence shared by those greats.

Other notable covers included Nelson’s “If You’ve Got the Money, I’ve Got the Time,” Jimmy Rodgers’ “Blue Yodel No 4 (California Blues), where Taylor ripped off stellar leads on his Gretsch Chet Atkins Country Gent guitar, Marty Robbins’ “Begging To You” and Merle Haggard’s “Working Man Blues.”

Haggard’s recent passing has hit the brothers hard, as the country outlaw legend was a huge champion of the Malpass siblings.  The duo spent more than 7 years working with Haggard, touring with him and even recording torch track “Memory That Bad” at his studios.

And when it comes to creating original material, the duo firmly upholds the musical styling and qualities that would make their idols proud.  Taylor’s guitar work on “Memory That Bad” perfectly accentuates Christopher’s sincere vocals and lyrics, resulting in a single that already seems country timeless.

The brothers planned to end their set with an homage to Cash via their original number “Man In Black Is Wearing White,” and had even begun to unplug their instruments at its conclusion.  But the crowd was so pleased with the set that they began asking for “just one more.”

So instead, they threw up another song in honor of Haggard with “Working Man Blues,” thus concluding an outstanding west coast showing for this southern duo. But thanks to the Malpass Brothers, the audience got to take a journey of its own, as it was like opening up a time capsule and rediscovering some of country music’s best offerings.

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Stagecoach’s Friday Roundup: Kristian Bush, Dale Watson, Lucero, Eric Church & More

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The hipster, celebrity crowd that came out in hoards the last two weeks to the Empire Polo Club grounds in Indio, Calif., for Coachella has been totally transformed for this weekend’s Stagecoach festival. Western hats, boots and Daisy Dukes are now abound as country fans flooded the grounds today for the annual three-day festival.

Here are some highlights from our Friday roundup:

Most Self Deprecating & Most Ready to Have a Good Time

Kristian Bush had to take the trophy for self-deprecation on Friday, immediately walking up to the mic on the Mane stage mid-afternoon and saying to the crowd:

“Oh, it’s that guy from Sugarland; I didn’t know he could sing.”

A few songs later, he remarked, “This is my third time playing here – first time singing.”

All was delivered with a huge grin on his face, though, and Bush was definitely ready to party. “Hearse With a Trailer,” his debut solo single, was a mega crowd pleaser, made even more entertaining with his band’s choreographed “dance” moves. (Anyone out there re-watch the film, Purple Rain, in the last week or so? Bush and band’s synchronized turns and moves with their instruments called to mind those by the flashy Morris Day and his group, The Time in their final performance in the film.)

Bush also riled up the crowd with a few Sugarland hits, too, including “Stuck Like Glue” and “Baby Girl.”

“My rule is if I wrote it, I’ll sing it,” he said of the latter. “I wrote this when we weren’t even really a band yet. I think it was a Tuesday.”

Debonair Dale

Austin, Texas country artist Dale Watson may be downright old-style honky tonk, but he does so with such finesse that he exudes a sense of sophistication. Dressed to the country nines, Watson and his Lone Star band rolled through an exemplary set that had those at the Palomino stage eating out of his hands.

Like literally. Gals and guys repeatedly yelled. “We love you Dale!” particularly after his boisterous “Exit 109.” He followed up that fun, high-speed number with a moving tribute to the late, great and legendary Merle Haggard with “Here in Frisco.”

Jana Kramer Jolts

A familiar face from her role on CW hit show One True Hill, Jana Kramer is also making a name for herself in the country scene.

Sporting a Tom Petty & the Heartbreakers T-Shirt, Kramer sizzled with confidence jolting the audience wide awake straight out of the gates with sing-along “Pop That,” “One of the Boys” and “Don’t Touch My Radio.”

She also showcased her softer side with a cover of Brad Paisley and Alison Krause’s “Whiskey Lullaby,” one of the saddest country ballads ever.

Just Try Not to Grin

Although perhaps not a “household name,” Billy Joe Shaver is hugely respected as a writer within the genre. And with an infectious grin, you just can’t help to love him or his real-deal country music.

The Mustang stage crowd ate up his late afternoon set with whoops, cheers and laughter. Even Shaver couldn’t hold back his chuckle during his performance of
“That’s What She Said Last Night.”

“Got a brand new cellphone — AT&T,” he sang. “It was a little bitty thing, just right for a country boy like thing. My girlfriend took a poke at the thing. Then she threw it away.She said Billy I know you’re attached to that thing, but it’s too small for me.”

Whiskey Drenched and Wonderful


Call them southern rock. Call them punk. Call them alt-country. We’ll just go with plain ‘ole good. Lucero shined with their soulful blend of lyrics, vocals and musicianship during their near hour-long set.

Singer Ben Nichols sounds like he just downed a bottle of whiskey, and that’s a great thing. On “When You Decided to Leave,” you can just feel his sincerity and regret as he he sang the lyrics:

“I try to be a good man/But I’ve done so wrong for so long/I don’t know if I can help but be a bad man.”

Midway thru the set, the rest of the band took a break as Nichols played a brand new song he wrote about a month ago.

“My brother did the movie Mud with Matthew McConaughey and he’s working on another one,” Nichols told the crowd. “I’m hoping he uses this one in the soundtrack.”

And it seems that maybe he’s found a way to be a good man.

“One more night here without you, and then to you I will come back.
They ain’t never take me a way again.
I’ve had enough of that. I’ve had enough of that.
I can tell my loving,
I can prove my heart is true.
Might not be good enough for them, but I just wanna be good enough for you
I wanna be good enough for you.
Remember how it felt the first night, it’s love we can’t afford to lose.
I’ll take care of you the rest of my days if that’s enough for you.
If that’s enough for you.”

Creepin’ with Eric Church

Nashville’s rebel rouser Eric Church had a sea of country diehards ready to continue the  party by the time his 10:15 p.m. headlining set rolled around on Friday night.

Although his latest hit is titled “Mr. Misunderstood,” there was no discord happening at Stagecoach as Church followed Chris Young’s upbeat set  and closed out the night in stunning fashion. Fans sang along with the country crooner, toasted along to “Drink In My Hand” and buzzed with anticipation as percussive shakers helped intro “Creepin,” giving the cut a swampy, southern vibe.

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Sam Hunt Surprises with Snoop Dogg at Stagecoach

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Sam Hunt is anything but a traditional country artist, and he proved that once again on Friday night during his Mane Stage set at the Stagecoach festival in Indio, Calif.

Borrowing a page right out of Coachella, Hunt paraded out three special celebrity guests during a set that showcased his R&B, pop and country leanings.

A laid-back boy from Georgia, Hunt may have kept it athletic casual with his wardrobe — sporting light denim jeans, an off-white T-shirt and baseball cap — but his set was anything but. He kicked off the energetic performance with “Leave the Night On,” and then rolled through “Ex To See,” “Single for the Summer” and the song that made him a household name, “Take Your Time.” Hunt soaked up the festival spotlight during his hit single, jumping off the stage and into the crowd to get up-close-and-personal with his fans.

Hunt then thanked the audience for arriving early to watch his set, and also shared that he had wanted to play Stagecoach ever since first learning about the festival years ago. However, he wanted to do something big to “shake this up.”

Well, he delivered.

Hip-hop artist G-Eazy took the stage with Bebe Rexha to perform their chart-topping song “Me, Myself and I,” while Hunt watched from the audience below.

But Hunt still had another trick up his sleeve, as he returned to the stage only to immediately introduce Snoop Dogg who rapped his verse from “The Next Episode” followed by “Drop It Like It’s Hot,” while the riotous crowd rapped along.

After, Hunt came back to perform “House Party” with the help of his guests, followed by a celebrity group selfie that included the audience.

For his encore moment, Hunt then let loose with Montevallo single “Break Up In A Small Town.”

Despite ongoing speculation that Hunt will eventually move on from country music, he still seems perfectly happy with his “current relationship.”

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Emmylou Harris Brings Storytelling and Sweet Harmonies to Stagecoach

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Sweetest harmonies of the first day of the 2016 Stagecoach Festival in Indio, California?

We’re going to have to bestow that to the magnificent songstress Emmylou Harris and her bandmates, Pam Rose (guitar, vocals) and Mary Anne Kennedy (vocals, percussion, mandolin). Their voices blended magnificently in an early evening set on the Palomino stage, providing the perfect balm for a weary sunburnt crowd.

The set was highlighted by lovely songs such as “Sorrow in the Wind,” “Michelangelo,” “In My Dreams” and “The Boxer,” but also by her storytelling between the songs.

By sharing that she had such a good childhood, she had to “make sad shit up,” or that she wrote a song for her kids because even when they are grown, “you still worry,” it somehow made the jam-packed tent seem more like an intimate living room performance.

Early on, Harris recollected her 1985 concept The Ballad of Sally Rose, using the story as a way to thank her fans for the mega support.

“That album almost bankrupted me but I’m still here folks – because of you,” she stated. “You don’t care if we are on the radio or not. You are still gonna come see us.”

Harris’ contributions to folk and Americana music are legendary, but she spent a good portion of her set signing the praises of others. Like when she introduced a cover of “Spanish Dancer” by Patty Sciala off album Rumble Doll.  Harris noted that perhaps Sciala is somewhat overshadowed by husband Bruce Springsteen, but that she’s actually an incredible songwriter who deserves more recognition.

Or when she left the stage and invited Kennedy and Rose, who also comprise country duo Kennedy Rose, to take over and perform their own track “Love Like This.”

“This song was alt when alt wasn’t cool,” said Rose.

Although hampered by a few technical difficulties, Harris and team powered on like the road stalwarts they are, providing a perfect wind-down to the first day of Stagecoach festivities.

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