Tag Archives: G-Cutout
Posted: February 1, 2013
One of the things that makes Gretsch guitars stand out from the rest of the pack is the unique tailpiece options the company has utilized over the years.
Of course, not all guitars boast one of these metallic accoutrements, but the ones that do seem to suggest a souped-up elegance. Both utilitarian and aesthetically-pleasing, here is a look at the main tailpieces you’ll find on a Gretsch guitar.
Developed by Paul A. Bigsby, these vibratos allow the player to bend the pitch of notes or chords with their pick hand with the help of a spring-loaded arm called a whammy bar or tremolo.
Available on Gretsch guitars since the 1950s, the device also makes sure the instrument stays in tune while adding those bending effects. Bend the arm down toward the guitar and the strings will loosen, lowering their pitch. Release the arm, and it’s back to normal.
You can see Bigsby Vibrato Tailpieces on the 1958 Chet Atkins Country Gentleman, the G6118T-LTV 130th Anniversary Jr., the 1959 Chet Atkins Solid Body and the Duane Eddy Signature Hollowbody, among several others. (more…)