Tag Archives: Premier Guitar

Premier Guitar Features 1962 Gretsch 6196 in its Vintage Vault

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In the April 2015 issue, Premier Guitar put a spotlight on a 1962 Gretsch 6196 as part of its Vintage Vault series.

The instrument, on display at Dave’s Guitar Shop in La Cross, Wisc., has features often associated with Gretsch guitars from 1962, including a “cushioned for comfort” back pad that hid a hole designed to provide easy access to the interior wiring, a built-in string mute, and a standby switch. Additionally, the guitar includes gold Filter’Tron humbuckers, Space Control bridge, and ebony fretboard with Neo-Classic inlays (standard since 1958).  Instead of the stock “G” tailpiece, this vintage guitar is equipped with a non-original Bigsby vibrato.

Read more about this vintage ax here.

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Premier Guitar Reviews G5620T-CB Electromatic Center-Block

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Gretsch G5630T-CB

The Gretsch Center-Blocks continue to get love from the various music mags, including a great review recently from Premier Guitar.

“The 24.6″-scale 5620 is a shining example of how Gretsch’s Electromatic line has evolved over the last few years,” wrote reviewer Shawn Hammond. “What once seemed a dipping of the toes into entry-level waters has, in many ways, become a deep dive revealing impressive quality and beauty. Our review guitar came in a rich “rosa red” gloss-urethane finish through which you can subtly detect grains of the underlying maple spreading across the sumptuous arches and curves. The rosewood-topped maple neck features a 12.5″-radius fretboard inlaid with 22 remarkably clean, neatly dressed medium-jumbo frets. And peaking inside the cat’s-eye soundholes reveals straight, cleanly cut kerfing and no stray glue.”

In summary, PG had this to say:

“Gretsch’s beautiful G5620T-CB has so much going for it. For the price, it packs a serious punch in almost every category, from visual vibe to practical appointments, control flexibility, and ergonomics.”

Read the complete review here.

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Patrick Stump Runs Through His Rig with Premier Guitar

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Premier Guitar recently caught up with the guys in Fall Out Boy during a tour stop just outside of Nashville, and frontman Patrick Stump walked them through all his gear, including his signature Stump-O-Matic guitar.

“When I had this designed, I really was going for something that was a Swiss Army knife,” Stump said.  ”I wanted something that could accomplish everything. I have a big collection of vintage guitars, and it’s really fun to play around with them, but on stage, on a tour, I want something that is consistent and easy.”

Learn more about what Stump plays live in the video below.

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Billy Duffy Runs Through His Rig With Premier Guitar

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During a tour stop with the Cult in Nashville, guitarist Billy Duffy took some time to run through his live rig with Premier Guitar.

Not only does he discuss his amps and pedals, but Duffy also pulls out his signature White Falcon model that he plays on the road.

Duffy noted that he has several prototypes of the guitar at home, but he plays a production model while on stage.

Check out Duffy’s gear after the jump and visit his’s official website for more information. (more…)

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Billy Duffy Interviewed In Latest Premier Guitar

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The Cult’s Billy Duffy is featured in the June issue of Premier Guitar, where he gave an extensive interview about his band, his sound and his gear.

Midway through the QxA, the longtime White Falcon player talked about where he got his original Gretsch G7593.

“It’s a mid-’70s White Falcon. I ordered it in 1982 in England — I had to go and score it from a guitar shop on Denmark Street in London. In those days, you’d put down the deposit, and then they’d go and find it. Then it was weeks of ‘Where’s my White Falcon?’ ‘It’s coming, it’s coming!’” Duffy said.

“Now, I already had a doublecutaway Gretsch, a stereo model, also from the ’70s. It had the same neck, same [Bigsby] whammy bar setup, the square inlays on the neck — and I like those all right — but the body isn’t very thick. Those guitars are more like a [Gibson] 335. So I really still wanted a single-cutaway, which were hard to find in England. Basically, the one that became my trademark guitar is actually my second White Falcon. I just liked the single-cutaway better — it was fatter.

“My understanding at that time was that all the single-cutaway Falcons were custom-ordered, and it was the double-cutaway that was the production model. Now, because you had to order them, they were all slightly different. Mine has a sort of patch on the back to protect the guitar from your belt buckle — from your country pants [laughs]. But the other one from the same era doesn’t.”

The Cult released Choice of Weapon earlier this month, their first new studio album in five years.

For more information and a list of tour dates, check out The Cult’s official website.  To read the full interview, click here.

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