Tag Archives: Rebel Rouser
Posted: June 29, 2015
Hopefully you have at least one road trip planned for the summer. And whether you’re driving in a Toyota Prius or a ’64 Chevy Impala, a solid soundtrack is a must. It’s an important list, one that requires the requisite consideration to match the tempo of the ride and the terrain of the pavement.
We take our road trip playlists seriously. After all, conversation with your fellow riders can only last so long.
So as a public service, we’ve pinpointed five road trip songs that will get your list started on the right foot, errr… wheel.
“Drive My Car” – The Beatles
Coming off the British version of1965’s Rubber Soul, the story goes that “Drive My Car” grew from the Beatles’ first recording session that extended past midnight, as Paul McCartney and George Harrison put together the basic rhythm.
“Drive My Car” features a thumping bottom end that is great for rolling down the windows and revving the engine, with an R&B feel that calls to mind the bass-heavy tracks that came out of Memphis’s Stax Records.
“Beep, Beep! Beep, Beep! Yeah!” indeed.
“Rebel Rouser” – Duane Eddy
The king of twang could have several entries on our playlist, with his signature guitar sound shining so bright on every track he released. But Eddy’s “Rebel Rouser” has a rambling groove that is well-suited to flat country roads. The instrumental hit is accentuated with bleats from a saxophone as it winds down, adding a car chase feel to the tune.
But don’t accelerate too fast. It’s best to just take in the scenery when Eddy is doing his thing.
Highway to Hell – AC/DC
Written by brothers Angus and Malcolm Young and the late Bon Scott, “Highway to Hell” is a paean to the rigors of touring and life on the road with “no stop signs/speed limit.”
The riff is instantly recognizable and makes you want to put the pedal to the metal, as it sears through the brain and has the ability to instantly conjure an adrenaline rush. Now, this fact might also make the song a dangerous one to drive with, but sometimes you need to drive fast and take chances.
Just watch out for the speed traps.
“Tush” – ZZ Top
Whether you’re going to Dallas, Texas, or Hollywood, “Tush” fits the bill. The opening riff immediately commands the listener to pull on their sunglasses and secure their cowboy hat. The original recording was found on Fandango and was ZZ Top’s first Top 20 single, with good reason.
Billy Gibbons takes two turns with searing slide guitar solos, and Dusty Hill’s strong bassline rumbles just as much as the engine. The Texas trio’s hit is definitely at home when traversing the Lone Star State, but there is certainly room for a lot of “Tush” on the Sunset Strip.
“Long May You Run” – Neil Young
“Long May You Run” is an homage to Young’s beloved first car, a hearse that was known as “Mort.” Seriously.
But this hearse has a lot of historical significance. It was the vehicle that carted Young and his original band around Canada. It broke down in the early 1960s in Blind River, Ont., but that spawned Mort’s successor, another hearse named “Mort Two” which ended up carrying him from Toronto to Los Angeles. There, Young met Stephen Stills and eventually formed Buffalo Springfield.
So long may you run, Mort, in that scrapyard in the sky. We’ll appreciate the song you inspired with our wheels firmly on the pavement.
Tags: AC/DC, Drive My Car, Duane Eddy, George Harrison, Gretsch Top 5, Highway to Hell, Long May You Run, Neil Young, Rebel Rouser, Road Trip Songs, The Beatles, Tush, ZZ Top
Posted In: Home Page, Top Five | Leave a comment
Posted: September 19, 2013
Duane Eddy’s trophy case is certainly stocked.
Earning membership in the Rock and Roll Hall of Fame, Musicians Hall of Fame, a Grammy Award and a Mojo Icon Award will do that for an artist.
But the one-of-a-kind honor that he received Wednesday night at the Ryman Auditorium in Nashville might be his finest, as the soft-spoken Eddy was blown away to win the award of Lifetime Achievement for Instrumentalist at the Americana Music Honors and Awards show.
“It’s pretty cool, and another thing that’s cool about it is Hank Williams is getting an award,” Eddy said before the star-studded event. “That doubles or triples the honor. For me to be on stage – at the Ryman – getting an award that Hank Williams is getting? Come on.
“I shouldn’t be in the same downtown area as he is, let alone get an award. It’s just such a great honor, and it blows me away.”
“Whispering” Bob Harris, the pioneering English rock, country and folk DJ on BBC Radio, was the one who presented Eddy with his newest trophy, a hand-painted guitar. Harris called Eddy the “Titan of Twang,” perhaps one-upping Eddy’s reputation as the “King of Twang.”
During Eddy’s acceptance speech he playfully said, “Americana music, that’s a great idea. I don’t know who thought of it, but I like it,” before taking the stage to perform his timeless hit “Rebel Rouser.”
Donning a sharp embroidered black jacket and a cowboy hat adorned with a feather, Eddy squeezed every ounce of twang out of the signature Gretsch guitar as the crack backing band – which included Buddy Miller, Don Was and Larry Campbell – assisted.
Once the saxophone hit the unmistakable accents of “Rebel Rouser,” several members of the audience rose to their feet, mesmerized by Eddy’s expert fretwork.
Earlier in the evening, Williams’ granddaughter Holly Williams accepted the President’s Award for the Americana legend before performing an amazing version of his classic “I’m So Lonesome I could Cry” to open the proceedings.
Other winners included Emmylou Harris and Rodney Crowell, who took home Duo Group of the Year and Album of the Year for Old Yellow Moon, South Carolina upstarts Shovels and Rope, who were named Emerging Artist of the Year and nabbed Song of the Year for “Birmingham,” and Artist of the Year Dwight Yoakam.
Eddy’s wasn’t the only performances to wow the capacity crowd, however.
Shovels and Rope might only be a duo, but their floor-stomping folk nearly blew the roof of the venerable venue. Stephen Stills, fresh from taking home a Spirit of Americana/Free Speech in Music Award, also turned in a bombastic version of “For What It’s Worth” alongside current Rides bandmate Keny Wayne Shepherd.
California’s Milk Carton Kids garnered a standing ovation with their contribution of “Hope of a Lifetime,” while new Grand Ole Opry members and Trailblazer Award winners Old Crow Medicine Show held a joyous revival with their infectious “Wagon Wheel.”
By the end of the evening, as revelers hit Music City to attend one of many live concerts in Nashville’s countless venues, there was a palpable feeling that the Americana Music Honors and Awards was truly something special.