Tag Archives: Steve Stern
Posted: January 24, 2015
There is admittedly an endless amount of eye candy all across the 2015 NAMM Show in Anaheim, Calif., this week, but let’s be real … Gretsch guitars are gorgeous!
Here are 5 Gretsch guitars to drool over …
Gretsch Custom Shop Bayou Roundup
Built by Master Builder Steve Stern, this Custom Shop axe is truly unreal, as it is covered in alligator hide and has several unique appointments, such as a swamp-themed belt buckle at the bridge, alligator inlays and a gator head on the headstock. Oh, and it comes with a belt buckle to wear and an alligator leather strap, too!
A veritable holy grail among classic electric guitar aficionados, the Gretsch White Penguin combines the gold and glitter of the Falcon with the sleek style of the Duo Jet.
The G6120-1959LTV Chet Atkins Hollow Body is now available in a special limited edition model with a beautiful quilt maple top. All the other special touches are still there, too.
The flagship Chet Atkins Hollow Body has never before been offered in alluring Cadillac Green. Until now. The limited edition G6120 Chet Atkins Hollow Body LTD Cadillac Green is an elegantly verdant version of the quintessential modern 6120, with gold appointments that complete its refined look and style.
1955 Gretsch Custom Shop White Falcon with Red Sparkle Binding
What a beauty! Another Steve Stern custom-build, this White Falcon feature a red sparkle pickguard with matching binding. Numerous authorized Custom Shop dealers engaged in a bidding war during the 2015 NAMM Show for this one.
Posted: January 14, 2015
The craftsmen in the Gretsch Custom Shop have taken yet another step towards making the most historically accurate Gretsch guitars they can.
Gretsch Master Builder Stephen Stern and his team searched far and wide for an original tailpiece that could serve as a template for the new models.
“I’ve been changing some of our parts to be more vintage correct to elevate our guitars to a higher level,” Stern said. “I’ve been wanting to work on the tailpiece for a long time. The hardest part was finding an original; that took a lot of time.”
Stern thought he had someone willing to let him borrow an original tailpiece in early 2014, but that fell through once the Gretsch enthusiast got nervous about lending the rare part out.
Luckily, Stern heard from Naoaki Toyofuku of Thrill on the String, a dealer in Japan with an incredible collection of vintage Gretsch guitars.
“He was kind enough to send me a couple tailpieces almost a year ago,” Stern explained. “I had to get them drawn up by our research and development department, and then we got a 3D print of the parts. Then, it was off to the manufacturer.”
What came out of the process is a non-symmetrical long and short version of the tailpiece that will go on the White Falcons and White Penguins, in addition to a symmetrical long and short version for Falcons and Penguins that are in custom colors. All are vintage correct.
“But if a customer wants to order a White Penguin with a symmetrical tailpiece, for example, we can do it,” Stern was quick to add.
Last year, Stern finished work on new vintage-correct knobs for White Falcons and Penguins, and the prodigious luthier said he is not yet finished in his quest for authenticity.
“The knobs were a pretty big project, and I have something that I’m working on for next year, but we’ll keep that under wraps for the time being,” he said. “We’ve gotta save some surprises!”
Posted: September 22, 2014
Not only did Hunter play on five Alice Cooper albums, but he also performed on Peter Gabriel’s debut solo album that included the classic “Solsbury Hill” and was featured on two of Lou Reed’s live albums (Rock ‘n’ Roll Animal and Lou Reed Live).
As one of the top session artists in the game, Hunter has also worked with David Lee Roth, Dr. John, Julian Lennon, Glenn Campbell and several other luminaries.
Last but certainly not least, Hunter, a.k.a. the Deacon, also boasts several solo albums, including 2013’s The Manhattan Blues Project, which featured cameos from Johnny Depp, Joe Perry, Joe Satriani and Marty Friedman.
Hunter’s latest initiative Tone Poems Live is a live CD/DVD that was recorded in the studio in Los Angeles. Interestingly enough, Hunter wasn’t even sure he wanted to move forward with Tone Poems Live.
“It wasn’t really my idea,” he explained. “One of the guys that had contacted us when I was doing the Kickstarter for The Manhattan Blues Project came to us later with the idea of doing a live video. When we first started talking about it, I wasn’t crazy about the idea. But it evolved into something where we could record it live, kind of like Miles Davis’ Kind of Blue.”
Hunter recruited a veteran list of musicians to help with the sessions in bassist Tony Levin, pianist Phil Aaberg and drummer Alvino Bennett.
“I’ve worked with these guys before, and they’re all brilliant artists,” said Hunter. “That made things move quickly once we rehearsed for a couple of days.”
Tone Poems Live was actually filmed in a single day, as the collective ran through each song twice, with the best version landing on the compilation.
“That’s the way they used to be done,” Hunter said. “I remember reading about groups like the Animals recording their entire album in a day for like $35. That’s the way things were done back then. As much fun as technology is to play with, sometimes it’s good just to get guys in the room and record it. It’s a different ballgame.”
For the session, Hunter used a trio of Gretsch Custom Shop CVTs built by longtime Gretsch Master Builder Stephen Stern.
“He’s a true master,” Hunter said of Stern. “They are absolutely superb guitars. His craftsmanship is a real art; it’s almost scary. You can inspect those guitars with a magnifying glass, and they’re perfect – all three of them.”
The trio of Custom Shop guitars have mahogany bodies and necks and rosewood fingerboards. One boasts a Black finish, one is in Lake Placid Blue and the other is in Sea Foam Green. Hunter said he is still making adjustments to some of the pickups, however, and he even asked Stern to put a Kahler tremolo on the Sea Foam Green CVT.
“I know there are Gretsch players out there who get all annoyed when you change something on a guitar, like you’ve committed the ultimate sin, but I’ve always personalized my guitars,” Hunter said with a laugh. “Brian Setzer did that, so have many others, whether it’s the pickups or knobs or whatever. That’s kind of what I did with the three that Steve made me. I’m still experimenting with pickups, but the ultimate piece of wood that Steve put together is just beyond words.”
Click here to preview or purchase Hunter’s latest offering, and check out a promo video below.
Posted: November 13, 2013
Credit Gretsch Master Builder Stephen Stern and renowned SoCal hot rod artist Sara Ray for teaming up to create another gem of a guitar from the Gretsch Custom Shop.
The ’59 Duo-Jet that is headed to U.K. resident Steve Isaacs features a 130th Anniversary logo on a larger headstock and an amazing graphic from Ray. It was the second time Isaacs asked Ray to paint a guitar, the previous one depicting a tattooed pinup.
“I got to know Sara Ray quite well over the past few years,” Isaacs said from his home in Poole, Dorsett. “She painted another guitar for me a while ago. When it’s time for her to work on a guitar, she sends over couple of sketches, but I really don’t like to give her too much direction. She came up with a couple of ideas, and I loved this one the most.”
Isaacs had also worked with Stern before, as the enthusiast owns a couple of masterbuilt Telecasters from Stern.
“I didn’t know much about Steve Stern, but he had such a fantastic resume. He’s worked with some of the world’s greatest luthiers,” said Isaacs, who noted that he has been playing guitar for at least 30 years.
“He mentioned that I should check out Gretsch. I have to say, he totally converted me. They’re great guitars.”
The image on Issacs’ newest piece is of Anne Bonny, the infamous Irishwoman who became a feared pirate. With a sword slung at her side, Bonny is also holding a boarding pistol.
“I think it really came out amazing,” Isaacs said. “It is truly one-of-a-kind, and I can’t wait to play it.”
View more of Ray’s work on her official website.
Posted: October 14, 2013
Premier Guitar recently caught up with Doug “Red” Redler, otherwise known as longtime tech for the Black Crowes’ Rich Robinson, to run through the gear Robinson is using on the band’s latest tour.
While looking at Robinson’s guitars, Redler pulled out several Gretsch gems, including a Japanese-made Black Falcon and a Streamliner (see photo above) that was was damaged during Hurricane Sandy and repaired by Steve Stern of the Gretsch Custom Shop.
Redler explained that the Streamliner is used on the songs ”Feather” and “Good Morning Captain,” noting that Robinson likes it for “anything that gets really loud with a lot of feedback.”
Check out Robinson’s collection in the clip below and visit the Black Crowes’ official website for more information.
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